copenhagen s tartelet is returning to their roots with a dancefloor-focused ep, pizza trance, from dirk 81—a.k.a label head emil m. nyholm. having previously dropped a slew of tracks as muff deep and ctepeo 57 (with max graef), the dj and producer is blessing the universe with three cuts of dancefloor heaven under a new moniker lifted from his days tagging concrete walls in the 90s. influences draw everywhere from disco, to african hi-life, dub, underworld, a few old trance records, and timeless house music.

recorded over a year in berlin and copenhagen, the record kicks off with -m.f.c-, a disco-afro-house hybrid oozing with roland jupiter 6 keys and some funky drums processed on old equipment from the former ussr. the b-side spreads things deep and delicious with -pizza trance (main mix),- a euphoric serving of sounds that substitutes pepperonis and pineapples for glittering sequencers and a bangin bass drum.

the ep s closer tastes like a bit of both, mixing up some more acid sounds into the recipe for a retro-sounding house track. it s another tasty delight from the label that will fulfil any and all late-night cravings, especially if you fiend for neapolitan pizza.. leave room for seconds.

zodiak commune records continues the insectum serie with a brand new ep from acidupdub called “longhorn beetle”. he specially made this 4-tracker in various styles of techno and acid.

melbournes short black label has been relatively sporadic with its releases up until now, having started back in 2013 with matt kennedys together at 2am ep and dropping the third release on the label back in 2016, rustal s privilege. hopefully this excellent new transmission from newcomer tristan kino will be the start of more productivity from the crew. the ep starts off in fine style with the nervy, reduced acid twitch of yggdrassil, while at the other end of the record niddhog presents a tougher, darker throwdown crafted for seedy techno dancefloors. johannes volk has been snapped up for remix duties, and does a sterling service with the metallic clang of his version of niddhog.

180g lp, reissue of this classic jamiroquai album...
synkronized is the fourth studio album released by funk/acid jazz band jamiroquai, fronted by vocalist and key-member jay kay. originally released in 1999, synkronized is the band’s follow-up to the successful album travelling without moving
the album includes the singles -canned heat- (#1 on the us dance charts), -supersonic- (#1 on the us dance charts and #22 on the uk singles chart), -king for a day-, -black capricorn day...

repress on black double vinyl.

1st vinyl outing from the mysterious new user engine project coming soon. celebrating various aspects of house and techno, the new world order ep charts a journey from blistering old-school acid-house to more modern sounding techno floor burners. will be released on stepback records, mastering by radioactive man, illustration by jamie kinroy.

autonomia, first released only on cd in 1993, was mostly a solo project of simon crab with the aid of christoph fringeli of praxis, recorded after a 2-month tour in the usa and europe. typically bourbonese qualk, this album delivers the opposite of the listeners expectations, breaking the mold set by the two previous albums, my government is my soul and unpop. autonomia sets out in a completely different direction of harsh electronic no compromise techno and has become a classic in the field, making this vinyl release well overdue!

based in colombias capital, bogotá, felipe gordons sound is testimony that both challenges and reinvigorates the burgeoning colombian house movement. his statement is built of resonances inspired by other decades, bogotá, cold, streets and messy youth. its not surprising when we hear pianos and classic acid house lines paired with jazz samples and funky bass lines. his ability to mix this complex sounds into club music has made gordon into a renowned and prolific producer (nomada, toy tonics, w&o street tracks, sampling as an art). one to watch. nuff said. welcome to quintessentials!

this is the first vinyl release for genau recordings, a brand new independent techno label born in torino (italy) from the unfamous genau party series. four pure techno tracks signed under the collective artist name genau that put together the experiences of two local artists as gandalf and kessa and the already well known (production wise) duo noizyknobs (also active with their new project exilles). this ep is the result of one year of intense work from these four artists and it s the perfect synthesis of their ways to see techno music.the ep opens with pac-man, a dancefloor killer featuring a strong acid bassline and a paranoid modular synth on it. -genesi is the deepest of all tracks, and it s one of the first productions ever recorded by the genau team. side b features pressing plant, another dancefloor oriented techno track with a solid drums section and a driving bassline, while dont speak is a minimalistic bass orented dark tunnel.

a familiar and reliable musical force, jonny cut his teeth behind the counter at phonica & blackmarket records during the 00s and has has proven his tastes time and time again with his disco hamam and hamam house imprints and releases on labels like cocktail damore and oye edits. this three-tracker rides middle eastern waves, reflecting mystical vibrations to take you through time and space. jonny delivers reworks of radio morocco, an italo tainted work out that rumbles and punches, housey mousey, an exquisitely eery acid house jam from 88 and yab yum, a wild and percussive trip. all three are sure to roar like thunder on the dance floor!

kenny dope is behind this smashing unofficial new version of tyree coopers >acid crash<. the other side is more like vintage maw stuff: wrecking instrumental old-school house.

acid vibes and cathartic rhythms are the weapons on this second release of musica altra. produced by those crazy indianizers, the psychedelic italian cumbia band who is rocking dancefloors and stages all around the europe. here is a preview of their upcoming album including a remix by don t dj and a dub version by passenger (light touches records). close your eyes and let your journey begin.

italian dj team, producers and resopal family members stranger boys are kicking things off with their beautiful dark driving, waterfall of an ep that lives at the most groovy of paces. the two guys worked side by side in the studio giving birth to these three state of the art tracks. essential modern techno.

lp theres been an air of hypnagogic mystery surrounding acid tests sublabel avenue 66 from the start. joey andersons oblique, prince-inspired incantation above the cherry moon set the tone for a label thats sound that has found beauty in the furthest recesses of the dance floor, in the murkiest decay of kick drums and rave stabs. fitting then, that the first album on the imprint comes from trux, an artist who has chosen to reveal nearly nothing about themselves. following a cult classic mini-lp for office recordings, orbiter bears out the anonymous producer as a master of liminal, conceptual dance music. orbiters ten tracks have a vaporous, shape-shifting quality, threatening to topple over into full-on kick drum bliss or vanish into ambience. opener, with it, moves from heady ambient rush to skeletal piano, while blinko and roys garage spell out a hazy memoriam for the uk continuum. forlorn pianos ring out amongst the field recordings, excitable toms and jungle bass all softened in the enveloping gauze. orbiter positions trux as an unknown auteur who puts evocative world of tone and echo into dizzying motion, content to watch from the wings. track list with it orbiter blinko roys garage third glow in my world my row odd u agoma

formerly remixed by move d and a former remixer of cassius, young german talent kolja gerstenberg has been building up some serious pedigree. his ep for monologues showcases his wonderfully wonky sound, full of chunky, bugged-out grooves, killer samples and a generally off-kilter vibe, with a chunky acid / breaks infused remix courtesy of monologues mainstay, g. markus

strap yourselves in as post pluto takes flight with french duo, rbdp, on their fresh self-titled ep. the record features four tracks of high altitude cruisers, soaring through the elements of acid, deep house, breaks and dubbed out synths. we depart the troposphere with -acid r-, a mellow and low-end fusion of dubby textures and acidic lines. -like dat- follows, with moody pads, percussive grooves and celestial tones. on the flip, -st san- takes the record into an acidic journey of 303 sequences and saturated 707 drum patterns, with a sublime zero-gravity remix by red ember records bossman ewan jansen.

rising sun, dj fett burger (as fett birger) and tijana t grace the second remix package of spencer parker s different shapes and sizes series on work them records this february. following on from the first remix release, which featured dj deep, akirahawks and setaoc mass, part two will see more reinterpretations of spencer parker s 2017 series from an array of talented producers. rising sun has earnt a cult following for his otherworldly productions as well as curating labels such as kristofferson kristofferson, styrax and millions of moments and here we see the accomplished producer deliver two hypnotic and classic sounding variations of riff shapes. sex tags and freakout cult cofounder dj fett burger then provides an acid-laced mix of size:yes as dj fett birger. finally, respected belgrade techno dj tijana t closes the release with a robust and evolving rework of a different size

terminal operations is back with their 4th release after dropping records including artists like ekman, fallbeil & spaceinvasion. for this one label co-founder kuno delivers his first ever solo ep. the title „079“ is dedicated to the crew he started to create his own style with, hailing from south west germany. with 4 tracks ranging somewhere between thick beats, serrated acid and unruly noises, kuno defines his own sound.

body music album teaser is produced by a man who needs little introduction. thomas p. heckmann has flexed his prowess across all shades of electronic music, but it’s his contributions to ebm-techno, acid, industrial, and experimental that has earned him his notoriety.
heckmann has utilised 30 years worth of acquired knowledge to create a hard-hitting album and teaser which bears all the grit he is known for - harmonising analogue and digital wares to create an utterly immersive 14 track album. this 3 track teaser gives you a taste of what is to come.

ascetic limited is back with its third va.
side a consists of two prolific italian producers. antonio ruscito starts the release with an intricate, atmospheric track titled nube. alfredo mazzilli then brings the driving yet melodic banger, transcendence.
side b begins with david att of att series out of spain, with a dynamic, heavy hitting track titled spirits. from malta, hail blk brings church blk, with his signature dark, spacey yet groovy vibe. label founders motionen end the record with escape sequence, blending acid, arps, and big pads for a unique cinematic feel.

pmr va002 is the 6th vinyl printed by péché mignon records. as it’s predecessor, the first various artists, the four tracks incorporating the ep are produced by pmr producers and guests. easy morph and wlderz have renewed their involvement on this second edition of péché mignon’s various artist series and have been joined by two new guests : the young producer soul edifice, member of «acid avengers» and founder of the musical group «vernacular orchestra» and a guest star, madben, major member of astropolis and co founder of the duet «trunkline».

vinyl only. lisbon-based record shop carpet & snares second release comes from owner jorge caiado. optimistic strings and sweetly melancholic keys bring a touch of wistfulness to both ap135 and choices : the former matches skippy detroit hats with deep berlin bass in the manner of derek carr, while the latter draws from a rawer palette more reminiscent of 3 chairs. on the flip, tarradas takes us into spacier territory, the almost-broken beat contrasted with a sustained background wash of synths and acid highlights, which s. moreira of the slow life crew turns into the main motif of his driving, funked-up remix, finding a place where techno, breaks and house influences coalesce into a new, exciting whole

the make mistakes ethos is one of diversity and evolution, and that is showcased in full on our newest vinyl release need your luvin. house, acid, techno, roy england, jarvi, fredy grogan. one track, three styles, all dance floor bounders. roy englands original mix is a jackin house jam with a timeless vibe. a classic house sound propelled forward by the titular vocal sample, england manages to deliver a track that would work equally in the lounge, as well as late night in the big room. on the b side jarvi s acid workout strips the original down even further, and fills it back up, with a wandering, hypnotic acid line to stitch it all together. an old school party sound, both familiar and fresh. fredy grogan deconstructs the original into its component parts, building it back up into his dark, and driving dub techno remix. drawing it out over nearly 8 minutes, this ll have the heads bouncing off the walls. house, acid, techno, pillars of dance music, mixed together, given the ol razzle dazzle, and served up hot and ready for mind, body, and soul. grab need your luvin, stick it in the crate, and never worry, because you ll always have the luvin you need. beware the irrational, however seductive. shun the transcendent and all who invite you to subordinate or annihilate yourself. distrust compassion, prefer dignity for yourself and others. dont be afraid to be thought arrogant or selfish. picture all experts as if they were mammals. never be a spectator of unfairness or stupidity. seek out argument and disputation for their own sake the grave will supply plenty of time for silence. suspect your own motives, and all excuses. do not live for others any more than you would expect others to live for you.

the dirtiest record that has released discos nutabe! vistante is the new sound spectrum from elo, an artist born in maracaibo, venezuela, and based in bogota, colombia. elo has decided to raise the sound bet of nutabe and offer a release that brings acid and techno elements combined with housey nuances. this is a product of his new life perceptions since his arrival to colombia. its an experiment for the dance floor, and his point of view of rude and disorganized house music. or as he says rough on the edges. from trans, through generacion to devolucion is a new journey that goes from deep to frenetic, from calm to turbulent. this is the music of visitante. hot!

trudge embarks on the tenth expedition into the exotic lands of palm trees and blue skies with the infectiously moody negative spaces ep.
expedition ten features four jams packed of broken drum sequences, dreamy pads and scorching acid basslines.

the second release from de grey introduces the debut 12inch from yorkshire native jack angle week-end, opening proceedings, with skeletal kicks and jacked percussion combining to maximize damage on the dancefloor. 6pnhhpe follows up with brooding acid and sub bass pressure. on the flip, stabilizer lightens the mood with lush synths whilst seita rounds things off with playful melodies juxtaposed with an industrial framework.

(dj koze edit + terrence dixon rmx) its been 10 years since efdemins debut mix-cd carry on, pretend were not in the room and its single america. back in 2008 it ended up on the first place in the groove chart, but for some reason we never had it remixed. with efdemins second mix-cd and the accompanying move your head ep now scheduled for mid april, wed like to announce this minimal detroit mix from terrence dixon to close things off in style. on the flipside theres a dj koze edit.

the new release by poly sone on friendship & decadence is an introspective trip with a bouncy, dubby flair that sets the scene with gritty synths and spacey arpeggios reminiscent of sci-fi soundtracks from the 80 s and continues by avoiding the ordinary with some light trance and a tinge of acid. get ready for this out-of-body experience and exit flesh!

for the third release on kwench records, cassy collaborates with stockholm’s art alfie. between them they deliver two diverse tracks brought together with a touch of class and cassy’s distinct vocal. for the remix, german dj / producer chris count rounds off the ep by delivering an acid tinged version of ‘solar’.
art alfie enjoyed a successful 2017 as a solo artist. his first project of the year, the ‘reveries of’ lp, released on none other than studio barnhus. this was swiftly followed up by another solo effort on his karlovak imprint he runs alongside mr tophat. both releases garnered plenty of support from across the dj spectrum.

we, florklang records based in japan are happy to present you ep of cool and frank! cool and frank’s debut is “golden wall- which sounds idm for 90’s music lover releasing from sleepers records. this time of cool and frank’s ep includes four tracks with radiated edgy sequences inspired by idm and also with dynamic acid sound base lines are intensely revolving. we recommend wide range of music funs who techno lovers for sure, acid, electro, idm lovers and more...

seth troxler’s play it say it label opens up 2018 with another release from the highly regarded ataxia, who serve up their third ep for the imprint. the detroit duo impressed with their previous outings on the label, the supertouch ep back in july 2017 and the acid ep in 2016. since then they have also released on leftroom and nervous and continued their eight year residency at prominent detroit venue tv lounge. their fresh take on motor city techno often comes with flashes of acid and makes cyber punks ted krisko and eric ricker one of the most interesting pairs in the game. opening up the essential ep is ‘quicksand’, an immediately arresting and busy electro track with real machine soul. the bassline bubbles and boils underneath crisp percussion and emotive keys bring a sense of tenderness. it’s a macho cut with robust drums and is sure to win over any crowd. the fresh ‘hot snakes’ is a deep, menacing track with dark bass gurgling beneath the airy hi hats. frazzled synths are dystopian and brain frying, and together the whole thing takes you into hypnotic territory with an intense sense of urgency that is impossible to ignore. last of all is the freakiest of the lot. the brilliant ‘texas is the reason’ has circling bass that is warped and intriguing and will own any club, while the drums drive on and trippy keys are skewed and twisted up top. it’s a truly intense record for late in the night that is sure to become a big tune. this is an expressive and varied ep full of contemporary and innovative detroit house and techno sounds and marks another step in the ataxia story.

following on from a hectic summer touring across the globe, ny producer joeski returns to the studio to create his next release, due on crosstown rebels in 2018. the release unfolds with the original version of i want you - a fierce, driving beat is juxtaposed alongside the sensual and smoldering vocal as the bassline rumbles on. pure 4am, fist pumping pleasure. the flip side introduces the disco mix of the title track. but don’t let the ‘disco’ lull you into a false sense of security. the track is fuelled by intense industrial sounding smashes and an abundance of layers that creep ever closer. a founding member of nyc’s the chocolate factory dj collective, joeski has been a staple in the underground scene in new york since 1991, holding down a residency at the city’s famed nightclub- roxy. he’s played alongside the likes of danny tenaglia, louis vega and roger sanchez. his career has seen him release on electrik soul, siesta, chez and camouflage as well as launching his own imprint maya records in 2001. this year, the prolific producer has juggled a jam-packed touring schedule taking in australia, new zealand, south america and europe, as well as ibiza for do not sleep and misfits.

to kick-start 2018, happy skull serve up a rare ep from italy s d arcangelo brothers. the sibling duo have been active since the early 1990s, when they played a pivotal role in shaping the sound of roman techno alongside contemporaries lory d, leo anibaldi and their automatic sound unlimited production partner, max durante. in the two decades that have passed since, fabrizio and marco have consistently delivered off-kilter, futurist electronic masterpieces for the likes of nature, analogical force and, most famously, rephlex. the four tracks contained on this happy skull outing are not re-discovered archive cuts, but rather fresh slabs of mind-altering musical intoxication. the alternating bliss and acid-fired psychedelia of -saba tree-and the creeping late night paranoia of -pull seven- set the tone. the effervescent fun continues on the flip, where saucer-eyed chords and idm electronics combine on the rush-inducing -13th cider-. to finish things off fabrizio and marco treat us to -korty-, a mesmerizing, deep space slow jam full of backwards electronics and rumbling flashes of sub-bass.

doe dee is a new label curated by stalwart sydney dj / fbi radio presenter kato releasing forward thinking club music from australia to the world. the first release sees the two personalities of melbourne producer fergus sweetland splitting 2 sides of a liquorice pizza. on the a side sweetland shines with unique energetic yet emotional deepish house workout with a beautiful deep dubby re-rub from sydney’s own hubert clarke jr 100% silk / wolf music / otis while on the b side sugref takes things considerably darker with a brooding electro influenced acid trip alongside a chunky uptempo dub house workout from sydney duo alba aka cop envy and sam weston

greta cottage new boy duccio lp jumps into the fray. flipping a girthy cut & bringing together a pack of melody heavy boompty tech house arse wobblers. proceedings begin with late night swing - a delicately laced flutey chugging acid pumper ... chunky for those big rig nights. proggy as you like hypeway follows the beauty of spaceways, twinkly and fuzzy like the morning after. sambao brings solid mid west rave gear to mind.. prepped for a wig top knock off the old block. it sounds extatic in jediland, can t feel me legs - go and make some friends in the toilets, then stagger back to the fray…

decks full cover edition! weltschmerz and nesta got very special technism this time, that is soft and pleasant and groovy at the same time. this release has the particular sense of the underground being and is called “the sound of complatt” representing the tendency of the label.

the birdsmakingmachine duo is back with what could be the more extroverted ep of the series. the birds are painting a more funky and psychedelic palette on top of their mechanical rolling grooves, with a hint of rave and acid.

bld is back on his own imprint offering for rave use only, a 4-tracker ep full of early 90 s acid techno reminiscences. showing once more his versatility, these eclectic club-oriented bangers are ready to wake up any warehouse!

from the redwood forests of big sur and the industrial warehouses of downtown los angeles comes pfeiffer, a label dedicated to quality and a diverse musical output. pfeiffer follows in the footsteps of labels such as svek and kompakt, known for releasing a wide range of techno and house with a common thread of unique and unpredictable energy. looking to bring this type of eclectic curation into the modern era, pfeiffer draws inspiration from the raw simplicity and effortless magnetism of its namesake location on the central coast of california. february 9th marks the release of pfeiffers first musical offering. a-side big tent sets the tone with raw, minimal percussion and acid tinged melodies. b-side twist brings a healthy dose of chicago and detroit influence to a track that feels colder than house, but warmer than techno. the first of many releases to come, pfe001 marks the tip of the iceberg for pfeiffer, a label which will continue to reveal itself over time.

vinyl only release + dl code, ... earlier this year, we whet the world s appetite with busztm s first album sampler. now, to wave goodbye to 2017, we re teasing you again via a 2nd sampler ep - a vinyl-only story of dubai . the original s moaning bassline, conversational synth lines and enslaving rhythm precedes 3 amazing remixes, spanning industrial techno, twisted acid and patient progression.

dead man s chest aka alex eveson makes his debut appearance on myor massiv sublabel diamond life alongside head honcho coco bryce. dancehalls seem to be the common denominator on this 12”. and where mr eveson prefers to drop a tab of acid, coco opts for a helping of mandy to work his way through the night. both sides find the respective producers operating at the 160 bpm mark, wading through a hazy mist of sounds reminiscent of clandestine warehouse raves. but whereas dmc utilizes a fairly straightforward, 93 style hardcore drum loop in combination with acidic undertones and atmospherics which clearly reveal his love for the “golden era” of mo wax trip hop, señor bryce s jam is a far more hectic sounding affair, layering a chopped and re-edited apache on top of an already-frantic, percussion- laden break beat, adding even more to the rushy feeling induced by the nervous pads and rave stabs. quality, yet slightly off-kilter hardcore junglist exercises.

as one might expect from a record called 303 101 ep, this is a collection of acidic techno cuts made with the legendary tb303 and the sh101 machines. this time around it’s an unknown artist(s) affair.

voda (water) the second part of his trilogy sees aleksei nikitin delving deep into baltic seas. coming up again with chilled flows of acid on vdaleke, the bubbly yet driving thump of subaqueous place-holder, then he goes diving even further on the flip, cruising through underwater caves filled with ten-tacles of twisted, seductive electro, gnarly acid-techno, before finally emerging in iskatel, ears still ringing with harmonies of shredded beauty.

dekmantel regular matrixxman returns with the third, and final instalment in the sector series, part iii: polyphony. in this triptych, the producer from san fransisco sets out to highlight the key components behind the sounds and style of techno, exploring the range within the confines of a particular limitation. following parts i and ii, which looked at rhythm, and acid, charles mccloud duff charters the realm of polyphony with four, meticulously produced techno tracks, expanding his repertoire of cult, dancefloor music.

piff records continues to unravel its catalogue by calling on an artist slightly closer to home. cardiff-based harrison bdp adds to his already prolific discography with an ep that spans from mellow dub techno vibrations, all the way up to wide-open, rave-driven acid riffs.
harrison’s a-side revels in a deep pool of soft bubbling synth chords, moulded to the backdrop of tight rolling drum work and occasionally teasing the wider, heavier energies to be found on the flip.
the b side ripples with ricocheting, delay-laden soundscapes, rock-solid drums lines, and nostalgic lead synth lines that make you glad that you’ve caught on to this talented producer early on in his promising career.

back in the area. banoffee pies original imprint continues with bp007. the more serious and leftfield off shoot under the labels wing this time inviting the introduction of two new label members on this 4 track va. toma kami opens the a1 with the title rivershells, a slowly erupting swirl of percussion and progressive drums. a real head turner. the a2 comes from pablo marco with his second addition to banoffee after his breakbeat power track on their black label series imprint earlier in the year. murmuring vocals and a swirling feeling with all about - sure fire dance floor reset button included. the b1. comes from liem & eddie ness, whos split ep with acs on the earlier released bp005 analog acid record was enough to invite a return appearance this time with leftfield fujiyama, and welcoming of k-lone previously known for his involvement on the powerful bristol label, wisdom teeth with a down tempo track with warm spherical sounds.

smooth minimalistic techno with hints of acid here and there completed by dreamy melodies from another world. these are 3 very special and sought-after tracks which received very good support from artists such as barac, arapu, cap and many others.